Voices of Eternity by Sarah Wilson Estep

Author:Sarah Wilson Estep
Language: eng
Format: mobi
Tags: Philosophy, General
ISBN: 9780449134245
Publisher: Fawcett
Published: 1988-06-30T22:00:00+00:00

Chapter 11 Communications from the Well-Known

Souls which once were in men, when they leave the body, need not cease from benefiting mankind.

Some indeed, in addition to other services, give occult messages, thus proving by their own case that other souls also survive. —Plotinus

During all my years of taping I have made it a firm practice not to call on the famous or infamous. If I were to call on Julius Caesar, and a bright happy voice replied "Here I am," how could I know it was really Caesar? I couldn't, and to think otherwise would be the height of delusion. I leave the notables strictly alone. If some well-known personality speaks to me from the other side, my first thought is, "It can't be," and then wanting to be at least fair, I say "Prove it." This, obviously, considering that I communicate by tape recorder, is usually difficult. Now and then, however, additional messages and evidence are received that cause me to stop and give further thought to whether these personalities are who they claim to be.

"You have the famous Beethoven" was taped early one morning in September when I asked if I had friends present.

Beethoven? Surely not. I decided it must be someone on the other side trying to catch my attention. I was busy packing in preparation to leave my summer home in New Jersey and move back to Maryland. It was during the last recording before putting the tape recorder in its box that Beethoven message had come through.

That afternoon while driving home, I had over three hours to give Beethoven, and the taped voices in general, some thought.

I still doubted that the message, although it was very clear and without question an electronic voice, was truly from Beethoven. At the same time I remembered various musical notes and chords I had received over the years that I was convinced originated in another dimension. These musical notes had grown more frequent since the death of my mother thirteen months earlier. I also recalled questions I had asked about musicians and music in the spirit world and continued to play music to "Share with their brothers."

At the age of five I began taking piano lessons from my mother, who was a church organist for over fifty years. From an early age, I have loved classical music. In my early teens I started pipe organ lessons and played the organ for various churches in Pennsylvania and Maryland. My grounding in music is good and reasonably thorough. I continued to study music in college, including musical composition. Could my affinity for music and my message from the purported "famous Beethoven " possibly be another case of some sort of empathy between an individual on the other side and myself?

Rosemary Brown of England, mentioned in Chapter 2, has played hundreds of compositions she believes were channeled through her by famous musicians who have died. Beethoven is one of the composers she feels has dictated music to her.

It seems reasonable to me

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